I Can Eat Glass was a linguistic project documented on the early Web by then-Harvard student Ethan Mollick. The objective was to provide speakers with translations of the phrase “I can eat glass, it does not hurt me” from a wide variety of languages; the phrase was chosen because of its unorthodox nature. Mollick’s original page disappeared in or about June 2004 [but there is an archived version of the website here].
As Mollick explained, visitors to a foreign country have “an irresistible urge” to say something in that language, and whatever they say (a cited example being along the lines of “Where is the bathroom?”) usually marks them as tourists immediately. Saying “I can eat glass, it does not hurt me”, however, ensures that the speaker “will be viewed as an insane native, and treated with dignity and respect”.
People don’t like to admit it bcs cringe or w/e but Homestuck really did revolutionize the webcomic as a storytelling medium and I am endlessly frustrated that before webcomic artists could really stretch our legs fucking webtoonz swooped in, set a new, more restrictive standard, and then monetized and monopolized the ever living fuck out of the concept of The Webcomic until it drove away anyone who couldn’t be a professional quality manga artist for free, and now the only webcomics that actually feel like spiritual successors to Homestuck are so obscure they’re basically cult classics that you have to beg people to read.
Like it’s just so wild to be in high school and see Homestuck be like “we’re using like fifteen different artistic mediums to tell this story bcs we can” and be really fucking inspired by that, only to grow up and see basically every webcomic ever have to conform to One Single Standard or fucking perish.
Actually, I realized my real point here: we all need to make our art weirder. Please make weird art. I want more stuff like Prequel Adventure and 17776 and MyHouse.wad and I want it now. Capitalism thrives on conformity. We must be weird at all costs.
